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论虚实关系在舞美设计中的运用
引用本文:王睿. 论虚实关系在舞美设计中的运用[J]. 重庆邮电大学学报(社会科学版), 2009, 21(4): 84-88
作者姓名:王睿
作者单位:重庆邮电大学,传媒艺术学院,重庆,400065;四川美术学院,重庆,400053
摘    要:虚与实是艺术创作技巧的美学原则,在舞台美术设计中,更显示出虚实结合的独特性和必要性,具体来说,表现在几个方面:在布景设置上,要以实带虚,以虚衬实;在意境表达上,要虚实对比,和谐产生;在光色处理上,要虚实变幻,以景托人;在舞台布局上,要讲究整体,统筹协调.

关 键 词:舞美设计  虚实关系  虚实范畴
收稿时间:2009-02-25

Application of the Relationship between Reality and Unreality in Stage Design
WANG Rui,WANG Qian-ru. Application of the Relationship between Reality and Unreality in Stage Design[J]. Journal of Chongqing University of Posts and Telecommunications:Social Science Edition, 2009, 21(4): 84-88
Authors:WANG Rui  WANG Qian-ru
Affiliation:College of Media Arts, Chongqing University of Posts and Telecommunications, Chongqing 400065, China
Abstract:The reality and unreality is the aesthetical principle of artistic creation technique. In stage design, the combination of reality and unreality becomes more necessary, and specifically speaking, it is shown in four aspects: for the stage setting, the reality must be combined with unreality; for the image expression, the reality must contrast against unreality, which brings harmonious beauty; for the lights and colors, the reality must interchange with unreality, which makes the scene set off the actors; for the stage arrangement, the unity and coordination must be required.
Keywords:stage design   relationship between reality and unreality   category of reality and unreality
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