噶玛噶孜画派唐卡艺术的特征与文化审美 |
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引用本文: | 康格桑益希.噶玛噶孜画派唐卡艺术的特征与文化审美[J].青海民族学院学报(社会科学版),2008,34(1):59-66. |
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作者姓名: | 康&#;格桑益希 |
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作者单位: | 康·格桑益希(四川大学,四川,成都,610021) |
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摘 要: | 文章就藏区三大画派之一的“噶玛噶孜”画派唐卡的表现形式,构图特点,人物造型特色,赋色特点,装饰的图象性和图案化方面展开论述,从而得出“噶玛噶孜”画派不仅对藏区东部的文化建设和美术发展起着承前启后的开拓作用,而且也对藏民族整体的美术繁荣昌盛产生了巨大而深刻的影响。
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关 键 词: | 噶玛噶孜画派 唐卡 艺术特征 文化审美 |
文章编号: | 1000-5447(2008)01-0059-08 |
修稿时间: | 2007年9月27日 |
On the Art Features and Cultural Aesthetics of Gamagazi School |
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Institution: | Kang. Gesangyixi |
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Abstract: | Gamagazi school is one of the three famous schools of Tangka Art (Tibetan scroll paintings) in Tibetan region. This paper analyses the art features and cultural aesthetics of Gamagazi school in terms of its representation features, composition of picture, various figure portraits, coloufing features, the decoration features of image and pattern. The author tried to reach the conclusion that Gamagazi school has not only made contribution to the cultural building and art development in the Eastern Tibetan region, but also had great influence on the flourish of art in the entire Tibetan region. |
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Keywords: | Gamagazi school Tangka art features cultural aesthetics |
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