中国艺术史是情感与程式矛盾运动的历史

中国艺术史是情感与程式矛盾运动的历史。中国艺术所表现的情感是带有政治伦理色彩的、以"中和"为审美特征的情感。中国艺术还具有"程式"特征,就是艺术表现中的种类、类型、材质、风格、形式或笔法等所体现出的深植于集体无意识深层,成为无法摆脱的具有稳定传承的定式。程式是用来装情感的,程式又是消极的,它有惰性,但情感有时受它的驱使,有时是反抗它的驱使的。当情感以一个时代为整体普遍发生变迁的时候,程式却固守不变,此时艺术走入末流;当最适合表现新情感的程式终于找到,艺术的发展也进入到一个大发展的新时期。这中间的流动构成中国艺术的历史。"中和"之情与惰性"程式"的本质特征、"师资传授"和"传移模写"的尚古创造传统,导致中国艺术的历史具有轻微、静态、缓慢的变化性,独立于世界艺术史之外。

The History of Chinese Art Is a History of the Contradictory Movement Between Emotion and Program

The history of Chinese art is a history of the contradictory movement between emotion and program. The sentiment from the Chinese art is the emotion of political ethics and aesthetic characteristics. The Chinese art also demonstrates the features of the ＂ program＂, which is to reflect the categories, types, materials, styles, forms or strokes of artistic expression. They rooted deeply in the collective unconsciousness and has become the stable inherited type that cannot be removed. The program is used for emotions. It is negative and inertia. However, sometimes emotional is driven by program and sometimes resist against its driving force. When emotion experiences change as a wholeness of the era, program will stick to its original form without change. Then, arts will meet its end. Yet, when a new program is finally found, arts will enter a new period of development. The development between them has become the history of the Chinese art. The fundamental features of ＂ accepting without much change＂ and the inertia program, and the traditional style of worshiping the ancient creation by ＂bringing up the followers in person to inherit＂ and ＂imitating for heritage＂ have led the history of Chinese arts to be slight, static and slow in change , independent from the world history of arts.