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以“美在关系”为中心的狄德罗美学思想体系
引用本文:张玉能.以“美在关系”为中心的狄德罗美学思想体系[J].云梦学刊,2005,26(6):73-78.
作者姓名:张玉能
作者单位:华中师范大学,文学院,湖北,武汉,430079
摘    要:狄德罗是法国启蒙主义美学的最集中的代表者,他的美学思想是一个以“美在关系”为中心的,包括戏剧(诗学)美学的情境说和绘画美学的整体论及其相互融合的完整体系。他的美学思想体系不仅反映了资产阶级市民要登上世界历史舞台的强烈愿望,也具有了唯物辩证法的最初的表述形式,代表着18世纪西方美学的最高程度。

关 键 词:狄德罗  美在关系  情境说  整体论
文章编号:1006-6365(2005)06-0073-06
修稿时间:2005年9月10日

DIDEROT'S AESTHETICS THOUGHTS SYSTEM THAT REGARDS BEAUTY EXISTS RELATION AS CORE
ZHANG Yu-neng.DIDEROT''''S AESTHETICS THOUGHTS SYSTEM THAT REGARDS BEAUTY EXISTS RELATION AS CORE[J].Journal of Yunmeng,2005,26(6):73-78.
Authors:ZHANG Yu-neng
Abstract:Diderot is the most centralized representative figures of French enlightenment aesthetics. His aesthetics thoughts is a integrated system that regards Beauty Exists Relation as core including Complexion Theory of drama aesthetics (Poetics) and Entirety Theory of painting aesthetics and their mixing together. His aesthetics thoughts system not only reflects the intense wish that bourgeois citizen wants to mount international historical stage but also bears the foremost expression form of materialistic dialectic and stands for the highest level of Western aesthetics in 18 century.
Keywords:Diderot  beauty exists relation  complexion theory  entirety theory  
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