| "从朦胧中来,到朦胧中去"--从《牧神午后》看德彪西的艺术特征 |
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| 引用本文： | 赵玲."从朦胧中来,到朦胧中去"--从《牧神午后》看德彪西的艺术特征[J].西华师范大学学报(自然科学版),2003(6):145-147. |
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| 作者姓名： | 赵玲 |
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| 作者单位： | 赵玲（西华师范大学音乐系,四川,南充,637002） |
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| 摘 要： | 德彪西是法国印象主义音乐的奠基人,他打破传统音乐的惯用模式,以一种全新的思想和技法向人们展示了一个全新的音乐世界,从而揭开了近现代音乐运动的序幕.本文从他第一部有代表性的印象主义作品<牧神午后>入手,从不同的角度分析总结了德彪西的音乐艺术特征,为我们今后的学习和研究提供了一个参考.
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| 关 键 词： | 印象主义 朦胧 |
| 文章编号： | 1005-1465(2003)06-0145-03 |
| 修稿时间： | 2002年12月30 |
FROM HAZINESS TO HAZINESS--Comments on the Characteristics of Debussy's Composing |
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| ZHAO ling.FROM HAZINESS TO HAZINESS--Comments on the Characteristics of Debussy''''s Composing[J].Journal of China West Normal University:Philosophy & Social Sciences,2003(6):145-147. |
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| Authors: | ZHAO ling |
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| Abstract: | Debussy was a founder of French impressionist music. He has unfolded a brand-new music world for people with brand-new kinds and skills. In this paper the writer has analysed and summed up his characteristics of music art at different angles from his first masterpiece, Pan in the Afternoon , providing us with a reference for study and research of his works in times to come. |
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| Keywords: | inpressionism haziness Pan in the Afternoon characterisitcs of art |
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