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牛郎织女传说与审美意象的外化
引用本文:赵卫东,王朝杰. 牛郎织女传说与审美意象的外化[J]. 河南科技大学学报(社会科学版), 2002, 20(3): 61-64
作者姓名:赵卫东  王朝杰
作者单位:三门峡职业技术师范学院,河南,三门峡,472000
摘    要:对于牛郎织女传说的研究 ,仅从史家观点和幻化形式入手 ,是偏颇和形而上学的 ,并使之失去了反封建意义。其“鸟鹊添河”幻化形式乃是一定历史阶段审美主体审美意象外化的一种特殊形式。在审美角度阐释牛、女爱情故事及外在形式 ,具有更为直接和普遍的意义 ,并能感性地揭示其反封建主题。

关 键 词:“牛郎织女”  神话传说  审美意象  “鸟鹊添河”
文章编号:1008-8504(2002)03-0061-04
修稿时间:2002-05-09

The Tale of the Herb-boy and the Weaving-girl and the Expression of the Aesthetic Images
ZHAO Wei-dong,WANG Chao-jie. The Tale of the Herb-boy and the Weaving-girl and the Expression of the Aesthetic Images[J]. Journal of Henan University of Science & Technology:Social science, 2002, 20(3): 61-64
Authors:ZHAO Wei-dong  WANG Chao-jie
Abstract:Only from the view of history and imagination, it tends to be biased and metaphysical and lose the theme of anti feudalism on the study of the Fairy Tale "The Herb-boy and the Weaving-girl". The imagination form of "magpies forming a bridge" is a special way to express the aesthetic subjects of a certain historical period. In the aesthetic opinion, to denote the tale itself and its external existence will have more universal and direct significance and thus achieve the target of indicating anti-feudalism.
Keywords:the Herb-boy and the weaving-girl  fairy tale  aesthetic denotation  magpies forming a bridge  
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