| 中国绘画写意性的文化哲学思考 |
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| 引用本文： | 马全社. 中国绘画写意性的文化哲学思考[J]. 西北大学学报(哲学社会科学版), 2009, 39(4) |
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| 作者姓名： | 马全社 |
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| 作者单位： | 咸阳师范学院,艺术系,陕西,咸阳,712000 |
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| 摘 要： | 中国绘画凝聚了东方传统哲学思想和审美艺术的智慧,传统哲学中"儒道释"的思想文化,相互渗透影响形成了中国绘画高度的精神性、写意性特征.中国绘画传达的"妙趣、神韵、意境"与"儒道释"的哲学思想常引申出不同层次的精神理念,给人们以丰富的回想余地并对"写意精神"不断超越,彰显了民族绘画艺术创新的时代精神.中国文化哲学及其绘画"写意精神"也是世界文化发展源泉,因而复兴民族传统文化、弘扬"写意精神"对建设现代中国文化,促使现代中国民族文化与世界文化同步具有当代现实意义.
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| 关 键 词： | 审美观照 哲学文化 渊源 创新超越 发展源泉 |
The cultural and philosophical thinking in traditional Chinese paintings characteristic of vivid expression and bold outline |
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| MA Quan-she. The cultural and philosophical thinking in traditional Chinese paintings characteristic of vivid expression and bold outline[J]. Journal of Northwest University(Philosophy and Social Sciences Edition), 2009, 39(4) |
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| Authors: | MA Quan-she |
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| Abstract: | Traditional Chinese paintings are characterized by the integration of oriental philosophical thinking and wisdom of art aesthetical appreciation,the integration of traditional philosophy of Confucianism,Taoism and Buddhism,which has been penetrated each other, exerting great influence on Chinese paintig's expression and bold outline features.The Chinese paintings convey a kind of charm and entertain ment,a state of mind as well as the philosophy of Confucianism,Toaism and Buddhism,which enriches the Chinese peoples' ideology and attitude toward life and the realistic world,making them surpass the existing world, and reach perfection and innovation of art and life.The bold outline features of Chinese paintings are of signticance in Chinese philosophy, and aethetics and cultural tradition. |
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| Keywords: | aesthetic philosoph and culturel source innovation and surpass source of development |
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