| 现象学的借用与背离——叶维廉诗学观析论 |
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| 引用本文： | 徐承. 现象学的借用与背离——叶维廉诗学观析论[J]. 西安电子科技大学学报(社会科学版), 2008, 18(2): 100-104 |
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| 作者姓名： | 徐承 |
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| 作者单位： | 浙江大学,浙江,杭州,310028 |
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| 摘 要： | 叶维廉将中国古典美学的主流定位于道家美学，提点出“任物自然”的诗学法则。然而叶氏在对待美学史时所表现出的静止的史观和有欠踏实的考究态度，却有悖于他“任物自然”的思想主张，也与他一再强调的“面向实事本身”的现象学意旨相违逆。
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| 关 键 词： | 叶维廉 任物自然 现象学 静止的史观 |
| 文章编号： | 1008-472X(2008)02-0100-05 |
| 修稿时间： | 2007-06-28 |
Borrow and Deviation of Phenomenology: A Review on Wai-lim Yip's Poetics |
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| XU CHENG. Borrow and Deviation of Phenomenology: A Review on Wai-lim Yip's Poetics[J]. Journal of Xidian University (Social Sciences Edition), 2008, 18(2): 100-104 |
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| Authors: | XU CHENG |
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| Affiliation: | XU CHENG (Zhejiang University, Hangzhou, 310027, China) |
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| Abstract: | Wai-lim Yip regarded the mainstream of Chinese classical aesthetics as Taoist aesthetics, giving prominence to the principle of spontaneousness. But his immobile conception of aesthetic history and unsure attitude toward researching made him lapse from his principle of spontaneousness, and the intention of phenomenology. |
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| Keywords: | Wai-lim Yip Spontaneousness Phenomenology Immobile conception of aesthetic history |
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