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凭空何处造奇文——关于中国古代灵感论的思考
引用本文:李智伟.凭空何处造奇文——关于中国古代灵感论的思考[J].华北水利水电学院学报(社会科学版),2007,23(5):83-85.
作者姓名:李智伟
作者单位:河南科技学院人文学院,河南新乡453003
基金项目:河南科技学院高层人才科研启动项目
摘    要:我国古代灵感论是经验论与方法论的统一,不仅注重理论探讨亦注重方法探寻,要求创作须顺应灵感生发规律,主张自然为文,并从禅宗那里得到启示,悟得创作真谛,形成具有鲜明特色的灵感论体系。我国古代灵感论关于灵感生发的论述概括为:机缘触磕,因物感召;将关于灵感自身奇异特性的论述概括为:恍惚而来,荡乎无形;将关于灵感培养的论述概括为:不求其神,而自达神;将关于灵感与人功关系的论述概括为:天籁人功,不可偏废。

关 键 词:古代  灵感论  独具特色

The Thoughts on the Theory of Inspiration in Ancient China
LI Zhi-Wei.The Thoughts on the Theory of Inspiration in Ancient China[J].Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition),2007,23(5):83-85.
Authors:LI Zhi-Wei
Abstract:The ancient theory of inspiration in China is the unity of experience and methodology,it does not only stress on the oretical discussions but also on method explorations;it doesn't emphasize the motives of composition and requires the composition must follow the rules of inspiration;it advocates writing naturally and gets some indications from "Zen Buddhism",realizes the truth of composition,then forms systematic theory of inspiration with special features.This passage defines our ancient theory of inspiration about how the inspiration comes as: accidentally,stimulated;defines the fantastic characteristic of inspiration as :faintly,shapelessly;defines the cultivation of inspiration as: naturally,spiritually;defines the relation between inspiration and human beings as: instinctively,equally.
Keywords:Ancient times  Theory of inspiration  Special characteristic
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