批判与反思后的流变和敛缩——“五四”文坛感伤情调的历史走向

“五四”时期，“感伤”情调作为一种重要的精神标记，以浪漫主义文学阵营创造社为中心向整个文坛弥漫开来，并在风行一时之后，因其滥情倾向而受到新月派为主的批判；以蒋光慈为代表的革命作家则发展了一种浪漫的“革命感伤”，并最终受到革命阵营的批判而走向敛缩。创造社在时代感召下和深刻反思后也以积极态度告别个人感伤，走向了革命的欢呼。

Change and Constringency after Animadversion and Reconsideration-The historical tendency of the sentiment in the May 4th Era

In the May 4th Era, sentiment as one kind of important spiritual mark permeated the literary word generally along with growth of the Creation Society centering on romanticism. After raging for a while in the literary arena, it was criticized by the members of the New Moon Society. Then, revolutionary writers （taking Jiang Guangci as a representative） have developed a kind of romantic revolutionarysentiment, which finally constringed under the critique from the revolutionary camp. Impelled by the era＇s mission and after the profound reconsideration, the Creation Society also said goodbye to individual sentiment by positive attitude and finally walked up to the revolutionary ovation.