| 清纯下女、“藐姑仙子”或“畸形的恶兽”——中国现代留日作家小说中日本女性的三个类型 |
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| 引用本文： | 于俊青.清纯下女、“藐姑仙子”或“畸形的恶兽”——中国现代留日作家小说中日本女性的三个类型[J].西华大学学报(哲学社会科学版),2009,28(1). |
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| 作者姓名： | 于俊青 |
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| 作者单位： | 北京师范大学文学院,北京,100875 |
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| 摘 要： | 1912至1936年间,尤其是1920年代,中国现代留日作家小说中塑造了大量个性复杂多样的日本女性形象.在中国文学史上这是第一次大规模地塑造以日本现实为基础的日本人形象,并占据了日本题材小说创作的主流地位,具有重要的开拓意义.
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| 关 键 词： | 留日作家 日本题材小说 日本女性形象 |
Pure Maid, Fairy Lady or Fiery Woman-On Three Types of Japanese Women in Novels by Chinese Modern Writers Trained in Japan |
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| YU Jun-qing.Pure Maid, Fairy Lady or Fiery Woman-On Three Types of Japanese Women in Novels by Chinese Modern Writers Trained in Japan[J].Journal of Xihua University:Philosophy & Social Sciences,2009,28(1). |
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| Authors: | YU Jun-qing |
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| Institution: | YU Jun-qing(School of Chinese,Beijing Normal University,Beijing,100875,China) |
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| Abstract: | Writers trained in Japan created many Japanese women characters in their novels in 1912-1936,esp.in the 1920s.It was the first time in Chinese literature history that writers created Japanese characters based on the real Japanese life on such a large scale.Those writers were the main stream of creations about Japan,which had an exploring significance. |
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| Keywords: | writers trained in Japan novels about Japan Japanese women image |
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