| 冷峻现实主义下的叙事风格与影像表达 |
| |
| 引用本文： | 李科. 冷峻现实主义下的叙事风格与影像表达[J]. 重庆邮电学院学报(社会科学版), 2008, 20(2): 83-88 |
| |
| 作者姓名： | 李科 |
| |
| 作者单位： | 重庆邮电大学传媒艺术学院 重庆400065 |
| |
| 摘 要： | 在经历了故乡三步曲之后，贾樟柯在延续其一贯个人风格的基础上，突破叙事主题的局限，成就了《三峡好人》在威尼斯电影节上的熠熠生辉。先从影片的主题出发，探究了该片所体现的现实主义，接着对影片《三峡好人》的叙事特色做了具体的分析和解读，最后对《三峡好人》的影像表达进行了揭示和剖析，阐释出该片形式与内容的统一。
|
| 关 键 词： | 三峡好人 冷峻现实主义 叙事风格 影像表达 |
| 文章编号： | 1673-8268(2008)02-0083-06 |
| 修稿时间： | 2007-11-26 |
The Narrative Style and Image Expression under Realism |
| |
| LI Ke. The Narrative Style and Image Expression under Realism[J]. Journal of Chongqing University of Posts and Telecommunications(Social Science Edition), 2008, 20(2): 83-88 |
| |
| Authors: | LI Ke |
| |
| Affiliation: | LI Ke (College of Media Arts, Chongqing University of Posts and Chongqing 400065, China) |
| |
| Abstract: | Experienced the trilogy of hometown,Jia Zhangke broke the limits of the narrative subjects based on his personal style,and his film Still Life won the prize in the Venice Film Festival.Through the analysis on the contents and forms,firstly this paper discusses the realism of Still Life from its subject;secondly,the paper studies the narrative characteristics of Still Life.Finally,through the research on the image expression of Still Life,it shows the unity of the contents and forms of this film. |
| |
| Keywords: | Still Life realism narrative style image expression |
| 本文献已被 CNKI 维普 等数据库收录！ |
