| 论环境美学中的“连续性”问题——从杜威美学到参与美学 |
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| 引用本文： | 张敏,王会方.论环境美学中的“连续性”问题——从杜威美学到参与美学[J].中南林业科技大学学报(社会科学版),2011,5(1):9-11. |
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| 作者姓名： | 张敏 王会方 |
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| 作者单位： | 郑州大学文学院,河南,郑州,450001 |
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| 摘 要： | "连续性"是环境美学中的一个重要概念。"连续性"一词源于杜威美学,杜威以"经验"为核心概念,批判了传统的二元论哲学美学,试图建立一元论的哲学美学体系。在《艺术即经验》中,杜威从人与动物、有机体与自然的连续性出发,提出要恢复艺术与非艺术、审美经验与日常生活的连续性。伯林特继承并发展了杜威的"连续性"理论,对环境一词进行了全新阐释。他进一步批判了杜威所反对的审美无利害及相关理论,创造性地提出了自然鉴赏的参与模式,并将这种自然鉴赏模式应用到对艺术、日常生活景观的审美探讨中,发展出一种全面的参与美学理论。
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| 关 键 词： | 环境美学 连续性 杜威 参与美学 |
On the "Continuativeness" of Environmental Aesthetics:From Dewey Aesthetics to Participation Aesthetics |
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| ZHANG Min,WANG Hui-fang.On the "Continuativeness" of Environmental Aesthetics:From Dewey Aesthetics to Participation Aesthetics[J].Journal of Central South University of Forestry & Technology(Social Sciences),2011,5(1):9-11. |
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| Authors: | ZHANG Min WANG Hui-fang |
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| Institution: | ZHANG Min,WANG Hui-fang(Zhengzhou University,Zhengzhou 450001,Henan,China) |
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| Abstract: | Continuativeness is an important concept in environmental aesthetics.Continuativeness originated from Dewey aesthetics.Dewey criticized the traditional dualism aesthetics with experience as the core concept and attempted to establish a unitary aesthetic system.In his Art Is Experience,Dewey proposed to recover the continuativeness between art and non-art,aesthetic experience and daily life,starting from the continuativeness featured by human and animal,organism and nature.Berleant inherited and develop Dewe... |
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| Keywords: | environmental aesthetics continuativeness Dewey participation aesthetics |
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