| 《周易》与我国古代书画理论 |
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| 引用本文： | 张霞云.《周易》与我国古代书画理论[J].汕头大学学报(人文社会科学版),2004,20(1):36-40. |
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| 作者姓名： | 张霞云 |
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| 作者单位： | 安徽师范大学图书馆,安徽,芜湖,241000 |
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| 摘 要： | 《周易》与中国书画理论的形成有着密切的关系,具体而言,《周易》太极阴阳观与书画之本原、生生不已说与书画之特色、观物取象论与书画之创作均有着内在的共通关系。
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| 关 键 词： | 《周易》 书画理论 太极阴阳 观物取象 |
| 文章编号： | 1001-4225(2004)01-0036-005 |
| 修稿时间： | 2003年6月9日 |
Zhou Yi and Theories of Chinese Painting and calligraphy |
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| ZHANG Xia-yun.Zhou Yi and Theories of Chinese Painting and calligraphy[J].Journal of Shantou University(Humanities Edition),2004,20(1):36-40. |
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| Authors: | ZHANG Xia-yun |
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| Abstract: | The Book of Changes, one resource of Chinese traditional culture, imposes far-reaching influences upon all fields of it, including the development of theories concerning Chinese painting and calligraphy. The relations between the Book of Changes and the theories of Chinese painting and calligraphy lie in three aspects: (1) the inactive and active concept of Chinese Grand Terminus and the origin of calligraphy and painting; (2) the idea of life and growth in nature and the particulars of painting and calligraphy; (3) inspecting the things and selecting the images and the creation of painting and calligraphy. |
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| Keywords: | Book of Changes the theories of painting and calligraphy the inactive and active inspect the things and select the im-ages |
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