| Abstract: | The premise of this article is that the expansion of closed‐circuit television (CCTV) across the contemporary landscape and its utilization by control systems fundamentally alters the process of policing and the social landscape of the cultures involved. The physical extension and procedural contraction of the process of control is a fundamental component of the establishment of the society of control and the adjustments this necessitates in our approaches to the notion of “police” and “surveillance” necessitate investigation. |
