绘画与变化着的真实观

自照相机发明后,现代绘画艺术便常常被认为是与真实、求知无关的事情,因此传统写实绘画没有意义了,自我表现的绘画才是进步的和高级的。这根源于对“真”的误解——将物理真实与视觉真实混为一谈。而视觉真实又因民族、文化甚至人的年龄的不同而不同。视觉生理学、心理学、现象学及70年代出现的二阶控制论,都曾充分论及过人的意向性对视觉形象的建构作用。“具象表现绘画”更是致力于新的视觉模式的建立。旅法中国画家司徒立则将具象表现运动上升为以现象学为哲学基础的较为完备的理论。

Painting and the Changing View of Reality

Since the invention of the camera. the modern painting art has often been considered as the matter without concerning with the reality and seeking knowledge. Therefore, it is considered that the traditional realistically painting art has not any meaning but the self - expressed painting is really progressive and advanced. This is resulted from the misunderstanding of the 'reality' i. e. mixing physical reality with visual reality. The visual realities are different on account of the difference of nationality, culture. even of man's age. The visual physiology, psychology. phenomenon science and the 2-stge-cybernetics appeared in 1970s fully discussed the constructing action of man's intention nature on the visual figure. The theory of "real expression painting" stili devotes to the construction of the new visual norm. Mr Situ Li, a Chinese painter living in France, enhances the real figure expression movement to a quite complete theory taking the phenomenon science as the physiological foundation.