| 清水出芙蓉，天然去雕饰－－论盛唐人对真态真情之美的追求 |
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| 引用本文： | 杜道明.清水出芙蓉，天然去雕饰－－论盛唐人对真态真情之美的追求[J].新疆大学学报(社会科学版),2001,29(4):72-77. |
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| 作者姓名： | 杜道明 |
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| 作者单位： | 杜道明（北京语言文化大学,文学院,北京,100083） |
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| 摘 要： | 盛唐人的艺术创作虽然各有特色,风格不一,但是对天真的自然,真态真情的审美追求都是共同的,并由此形成了盛唐"清水出芙蓉,天然去雕饰"的美学风尚,创造了盛唐诗歌和艺术的辉煌.
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| 关 键 词： | 盛唐艺术 审美趣味 天真 真情 |
| 文章编号： | 1000-2820(2001)04-0072-06 |
| 修稿时间： | 2001年6月22日 |
Out of Clear Water Lotus Engraved by Nature--On the People's Pursuit of Beauty in Unaffected Manner and Emotion in the Prime Tang Dynasty |
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| DU Dao,ming.Out of Clear Water Lotus Engraved by Nature--On the People's Pursuit of Beauty in Unaffected Manner and Emotion in the Prime Tang Dynasty[J].Journal of Xinjiang University,2001,29(4):72-77. |
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| Authors: | DU Dao ming |
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| Abstract: | The artistic creation by the people in the prime Tang Dynasty has different features and styles but their aesthetic pursuits for unsophisticated nature and true manner as well as sentiment are in common, thus forming the aesthetic morale "out of clear water lotus engraved by nature" and creating brilliant poetry and art in the prime Tang Dynasty. |
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| Keywords: | art in the prime Tang Dynasty aesthetic taste unsophisticated true sentiment |
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