| 从天上到人间——瓦肯罗德和蒂克的艺术灵感比较 |
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| 引用本文： | 曹 霞. 从天上到人间——瓦肯罗德和蒂克的艺术灵感比较[J]. 重庆文理学院学报, 2015, 34(1): 56-62 |
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| 作者姓名： | 曹 霞 |
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| 作者单位： | 湘潭大学 外国语学院,湖南 湘潭,411105 |
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| 摘 要： | 瓦肯罗德和蒂克同属德国浪漫主义文学流派，他们都认为艺术是人的精神产物，它与自然之间存在着内在的联系。然而，他们二者之间在艺术创作来源这一问题上看法却大相径庭。瓦肯罗德把艺术灵感的来源单纯地看作神的启示以及对神的爱，蒂克则超越了这一界限并将自然和世俗的爱都看作是艺术创作的来源。
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| 关 键 词： | 瓦肯罗德 蒂克 神性 自然 浪漫主义 |
From Heaven to Earth-Comparison of Artistic Inspiration between Wackenroder and Tieck |
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| CAO Xia. From Heaven to Earth-Comparison of Artistic Inspiration between Wackenroder and Tieck[J]. Journal of Chongqing University of Arts and Sciences, 2015, 34(1): 56-62 |
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| Authors: | CAO Xia |
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| Affiliation: | School of Foreign Languages, Xiangtan University, Xiangtan Hunan 411105, China |
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| Abstract: | Wackenroder and Tieck were precursors of the Romantic Movement in German literature. They all think that art is a product of the human spirit and it has an intrinsic relationship with nature. However, their views on the source of artistic creation could be quite different. Wackenroder put the source of artistic inspiration simply as the revelation of God and the love of God. And Tieck was beyond this limit and would profane nature and secular love as a source of artistic creation. |
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| Keywords: | Wackenroder Tieck the divine nature romanticism |
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