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论哈贝马斯关于审美领域规范性基础的阐释——兼及文艺学规范性之反思
引用本文:傅其林. 论哈贝马斯关于审美领域规范性基础的阐释——兼及文艺学规范性之反思[J]. 四川大学学报(哲学社会科学版), 2010, 0(1)
作者姓名:傅其林
作者单位:四川大学文学与新闻学院,四川,成都,610064
基金项目:国家社科基金项目青年项目"布达佩斯学派重构美学思想研究",四川大学青年学术人才基金 
摘    要:检视哈贝马斯关于审美领域规范性基础的阐释,进而反思文艺学规范性这一知识学得以展开的可能性.审美领域在现代拥有自身的规范性基础,因此可以用形式语用学加以阐释,但是它本身所具有的复杂性、模糊性和悖论性,使得其内在地违背普通语言的惯例,逃脱日常言语行为的以言行事力量之掌控.因而立足于现代审美领域的文艺学既拘宥于话语的价值合理性,又要应对"无言之美"的微妙灵韵,文艺学规范性基础的思考理应聚焦于这两者之间的连接点.

关 键 词:哈贝马斯  审美领域  规范性基础  文艺学

On Habermas's Interpretation of Normative Foundation in the Aesthetic Sphere: With a Reflection on the Normativeness of Literary Theory as a Discipline
FU Qilin. On Habermas's Interpretation of Normative Foundation in the Aesthetic Sphere: With a Reflection on the Normativeness of Literary Theory as a Discipline[J]. Journal of Sichuan University(Social Science Edition), 2010, 0(1)
Authors:FU Qilin
Affiliation:FU Qilin(Chinese Department,Sichuan University,Chengdu,Sichuan 610064)
Abstract:The essay studies Habermas's interpretation of normative foundation in the aesthetic sphere and reflects on the possibility of knowledge of literary theory as a discipline.The aesthetic sphere lays its own normative foundation in modernity,and thus is interpreted by formal pragmatics,but because of its complicatedness,ambiguity and paradoxes,it essentially conflicts with the convention of general language and frees itself from the illocutionary force of everyday speech acts.Therefore,literary theory,which i...
Keywords:Habermas  Aesthetic Sphere  Normative Foundation  Literary Theory  
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