| 论唐三彩对中国传统造型模式的超越 |
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| 引用本文： | 郭珂. 论唐三彩对中国传统造型模式的超越[J]. 郑州大学学报(哲学社会科学版), 2004, 37(3): 148-150 |
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| 作者姓名： | 郭珂 |
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| 作者单位： | 洛阳师范学院,美术系,河南,洛阳,471022 |
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| 摘 要： | 唐三彩是唐人艺术地观照世界的重要写照.唐三彩表达了具有时代风范的独特的美,对形式结构的精益求精,对视觉效果的刻意追求,对色彩的纵横挥洒和创造性发挥,使其被赋予一种前期未有、后代无复再现的鲜明的形式美感意蕴,构建了中国美术发展史上一种超越传统的新的典范样式.
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| 关 键 词： | 唐三彩 形式语言 艺术样式 |
| 文章编号： | 1001-8204(2004)03-0148-03 |
| 修稿时间： | 2004-01-16 |
Surpassing Traditional Mode:Trio-coloured Glazed Pottery of the Tang Dynasty |
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| GUO Ke. Surpassing Traditional Mode:Trio-coloured Glazed Pottery of the Tang Dynasty[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2004, 37(3): 148-150 |
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| Authors: | GUO Ke |
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| Abstract: | The pottery was a peculiar art form of the Tang Dynasty (618 - 907), with different colours such as yellow, green, white and blue glazed on the surface of the works, an important reflection of people's aesthetic ideas at that time and a unique form of beauty that surpassed established traditions in the artistic history of China. |
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| Keywords: | trio-colured glazed pottery of the Tang Dynasty style artistic pattern |
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