| 抽象与世俗:建本《西游记》插图的文本接受 |
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| 引用本文： | 乔光辉. 抽象与世俗:建本《西游记》插图的文本接受[J]. 东南大学学报(哲学社会科学版), 2013, 15(1) |
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| 作者姓名： | 乔光辉 |
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| 作者单位： | 东南大学中文系,江苏南京,210096 |
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| 基金项目： | 国家社科基金"木刻插图与戏曲小说之传播" |
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| 摘 要： | 受制于上图下文的插图版式,象征、传神便成为建本《西游记》插图绘工所追求的共同目标。绘工运用多种艺术手法如依题作图、以一代多、变相式"双页连"、抽象化的时空处理、人物局部特征的强化以及程式化的插图等,简洁的构图充分张扬了文本的意义。建本《西游记》繁复出现的"礼节化"模式正是绘工以儒家仪礼改造原文本的反映,而其以写实表达神幻、以世俗解读佛教,均体现了建阳地区下层民众对于《西游记》的接受。其艺术处理与接受方式,更多体现了底层民众的观念。
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| 关 键 词： | 《西游记》 插图 建阳 抽象 儒家仪礼 |
Abstraction and secularity: illustrations in Journey to the West |
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| Abstract: | Limited by the typesetting,illustrators for Journey to the West printed in Jianyang,Fujian Province were in pursuit of symbolism and lifelikeness.Various artistic methods were employed in drawing the illustrations to fully express the text.The recurring ritualistic scene in the novel reflects the transformation of the novel to Confucian etiquette,which shows how common people in ancient Jianyang embraced this literary work. |
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