简论中国古代“接受”理论和“知音”理论

第一,中国古代的接受理论在强调接受自由的同时,不会割裂读者与作者、作品的关系,追寻作者之创作意图和把握作品之本意是主要的接受阐释目的。西文的接受美学则提倡孤立考察文本意义,强调读者解读的自由性。第二,中国古人知音理论梳理与阐释《,文心雕龙·知音》集中阐述如何成为知音。

On Theory on Reception and Zhiyin of Ancient China

Ancient China has no systematic theory on Reception Aesthetics, but there are so many remarks on accepting appreciation in ancient literatures. While emphasizing the freedom of reception, the ancient literates did not separate readers from writers and works. In ancient China, one of the main methods to accept interpretation and appreciation is to hunt for the author's intention of writing and master the original meaning of works. Both the writers and the readers want to be bosom friends with each other. How to keep a good relationship between readers and writers has been clarified clearly in the great book Wen Xin Diao Long--Zhiyin.