| 论黄庭坚诗学思想和书法理论的互通与互补 |
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| 引用本文： | 王水照,由兴波.论黄庭坚诗学思想和书法理论的互通与互补[J].南昌大学学报(人文社会科学版),2006,37(2):86-97. |
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| 作者姓名： | 王水照 由兴波 |
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| 作者单位： | 1. 复旦大学,中文系,上海,200433
2. 吉林大学,文学院,吉林,长春,130012 |
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| 摘 要： | 黄庭坚注重诗学思想与书法理论的精神互通,“免俗”是其文学、艺术观中一贯的主张和核心思想。山谷以重“韵”作为品评文艺作品的标准,在形式上则求“拙”。其诗论同书论中有通过诗、书外在现象来达到本质的观念,通过字句推敲、点画模拟来实现精神上相似,“自成一家”是他一生中对诗、书的不倦追求。山谷晚年的诗、书创作形成了互补,成为其情感表达的双重载体。
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| 关 键 词： | 黄庭坚 诗学思想 书法理论 互通 互补 |
| 文章编号： | 1006-0448(2006)02-0086-012 |
| 修稿时间： | 2005年11月7日 |
Comparison Research of Huang Tingjian's Verse Theory and Calligraphy Theory |
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| WANG Shui-zhao,YOU Xing-bo.Comparison Research of Huang Tingjian''''s Verse Theory and Calligraphy Theory[J].Journal of Nanchang University(Humanities and Social Sciences),2006,37(2):86-97. |
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| Authors: | WANG Shui-zhao YOU Xing-bo |
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| Abstract: | The Huang Tingjian's verse theory and the calligraphy theory are closely related," Mian Su","Zhong Yun"," Qiu Zhuo" are three aspects of the importance in his theories.At the time of his late years,the verse and calligraphy create the knot mutual complementarity,having the important function towards expressing his emotion. |
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| Keywords: | Huang Tingjian verse theory calligraphy theory mutual communication mutual complementarity |
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