儒、释、道对初唐诗歌的影响

在儒、释、道三教并行发展,并逐渐形成鼎足之势的初唐时代,道家的自然旨趣通过王绩而实现着“从脂粉绮罗走向荆钗布裙”的努力,佛教的民间传播通过王梵志等人实现着“从帝王将相走向凡夫俗子”的发展,儒家的社会理想通过“四杰”和陈子昂等人实现着“从宫廷台阁走向江山朔漠”的开拓。所有这一切,都使得初唐诗歌渐渐摆脱了六朝宫体的遗风余绪,而开启了万象更新的唐诗气象。

The Influences in Confucianism, Buddhism and Taoism on the Poetry in Early Tang Dynasty

While Confucianism, Buddhism and Taoism were developing simultaneously and gradually achieving tile stable situation in which the three trends were coexisting harmoniously in early Tang Dynasty, by Wang Ji the Taoist gusto was realizing the efforts of the turnabout "from namby-pamby noble womanhood to common women' s daily life", and by Wang Fanzhi and his set the Buddhism spreading into the people was realizing the theme evolution "from emperors and ministers to laymen", arid by "the four distinguished" and Chen ziang and the like Confucian social ideal was realizing the deploitation from royal court and mansions to countryside and desert" , which all gradually made the poetry in early 'fang Dynasty cast off the relique left by the Six Dynasties style and opened the wholly new Tang poetry.