超越与羁绊——李渔小说思维的戏剧化顷向研究

摘要:受戏剧的影响,李渔形成了“无声戏”的小说观。小说在思维的文化机制上体现出明显的戏剧化倾向:人物形象塑造的动作化,对生活场景和社会背景的虚拟和简化,在选材、立意和情节上的奇异化,使李渔小说独树一帜,但也造成了某些不足,如叙事方式的模式化和形象构成的类性格化、脸谱化。

The transcendence and the trammels

Influenced by the drama,Li Yu forme d a concept that"a novel is a kind of drama without voice".So his novels embodied distinct dra matized inclination:to portray typ ical characters by means of actions;to simplify and fictioni ze surroundings and background characteristic of times;to ask for originality and unusualness in appr oach,selecting material and plot designing.Thus a unique aes-thetic style was formed in his novels.However,it was inevitable to bring about some shortcomings in his novels because of his complete ad mission to the drama.For example,th ere are always many similar characters and identical pl ots in his novel writings.