关于贫穷：两种不同的讲述和思考——比较《小鞋子》与《美丽的大脚》

20世纪90年代中后期,在欧美电影界,伊朗电影以其体制内、低成本的温情故事取代了90年代初精美的中国历史寓言叙述,成就了别样的第三世界电影景观.因此,世纪门槛上的中国艺术电影,便继豪华冷艳的画屏式人生展现转而盈溢起苦涩柔情.同样讲述的是一个关于贫穷的故事,伊朗导演马哲·马芝迪的电影<小鞋子>和中国导演杨亚洲的电影<美丽的大脚>,却各自有着不同的讲述和思考.

Different Reflections and Techniques of Expression about Poverty --A Comparison between Two Films: Children of Heaven and The Pretty Feet

In the late 1990's,Iran films with low cost and moving tender stories replaced exquisite Chinese films about history and fables throughout the world,which presented a different style of films of the third world.Therefore,with the approaching of the new Century,Chinese films changed from portraying luxurious life to miserable tenderness.Both are stories about proverty, Children of Heaven directed by Majid Majidi and the Pretty Feet directed by YANG Ya-zhou differ in reflections and techniques of expression.