| 论泰州学派美学的“春”之原型 |
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| 引用本文： | 邵晓舟. 论泰州学派美学的“春”之原型[J]. 江南大学学报(人文社会科学版), 2010, 9(2): 121-125 |
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| 作者姓名： | 邵晓舟 |
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| 作者单位： | 扬州大学,文学院,江苏,扬州,225009 |
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| 摘 要： | 泰州学派美学以“百姓日用”为美。而“春”则是其最具代表性的原型。“春”是中庸之美、仁厚之美、生意之美的化身，不仅象征着圣人君子的理想品格，也勾勒出和谐社会的理想模型，同时它常变常新，生机盎然。
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| 关 键 词： | 泰州学派 美学 百姓日用 春 |
On the Spring of Aesthetics of the Taizhou School |
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| SHAO Xiao-zhou. On the Spring of Aesthetics of the Taizhou School[J]. Journal of Southern Yangtze University:Humanities & Social Sciences Edition, 2010, 9(2): 121-125 |
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| Authors: | SHAO Xiao-zhou |
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| Affiliation: | SHAO Xiao-zhou (School of Liberal Arts,Yangzhou University,Yangzhou 225009,China) |
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| Abstract: | Aesthetics of the Taizhou School regards Common people everyday use as beauty.Meanwhile,Spring is the most important prototype of it.The Spring has the doctrine mean.It means neutral,clemency,and life.The Spring describes the highest moral standards of the sage and an ideal society.It is ever-changing and always new. |
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| Keywords: | the Taizhou School Aesthetics Common people everyday use Spring |
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