| “少数民族电影”命题及建构 |
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| 引用本文： | 曾静.“少数民族电影”命题及建构[J].学术探索,2013(10):130-134. |
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| 作者姓名： | 曾静 |
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| 作者单位： | 云南艺术学院 戏剧学院,云南 昆明,650500 |
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| 基金项目： | 基金项目：云南省教育科学“十二五”规划青年项目（Q12003） |
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| 摘 要： | “少数民族电影”命题包含了世界电影、民族电影及少数民族电影的自我定位,也隐含了少数民族电影在当今电影产业结构中的边缘存在,及其自我表述的立足点,它是电影研究中一个不可或缺的维度.“少数民族电影”的发展,须借助“深描”式的电影作品和不断积淀、创新的理论分析系统来持续建构,以获得世界和社会的普遍认同,从而彰显出其揭示具象的、多样的人类存在的价值和意义.
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| 关 键 词： | 少数民族电影 建构 认同 |
The Proposition and Construction of Ethnic Film |
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| ZENG Jing.The Proposition and Construction of Ethnic Film[J].Academic Research,2013(10):130-134. |
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| Authors: | ZENG Jing |
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| Institution: | ZENG Jing ( Drama Institute, Yunnan Arts University, Kunming, 650500, Yunnan, China) |
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| Abstract: | The ethnic film proposition includes the self - position of world film, national film and ethnic film. It also implies the peripheral existence of the ethnic film in today＇s film industry structure and its standpoint of self - expression, which is an indis- pensable dimension in film study. The ethnic film needs to be constructed continuously, producing in - depth films and establis- hing innovative theoretical systems so that it will get well accepted and its figurative and diverse value and meaning of human ex- istence will be highlighted. |
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| Keywords: | ethnic movies construction identity |
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