| 金圣叹与李渔戏剧结构论比较 |
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| 引用本文： | 李镇风.金圣叹与李渔戏剧结构论比较[J].阴山学刊,2004,17(3):28-32. |
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| 作者姓名： | 李镇风 |
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| 作者单位： | 扬州大学文学院 江苏扬州225002 |
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| 摘 要： | 金圣叹和李渔的戏剧美学思想存在着诸多差异,反映在戏剧结构理论的探索上,他们的这种差异集中地体现在对于戏剧结构中不同艺术要素的侧重:金圣叹重视人物性格的塑造和感情的展现,并主张以塑造人物为核心来组织戏剧的结构;而李渔则更加推重故事情节的新奇,他将情节视为组织戏剧结构的中心要素。
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| 关 键 词： | 金圣叹 李渔 戏剧结构 人物性格 故事情节 |
| 文章编号： | 1004-1869(2004)03-0028-05 |
| 修稿时间： | 2002年12月4日 |
A Comparison on the Thought of Drama Structure between Jin Shengtan's and Lee Yu's |
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| LEE Zhen-feng.A Comparison on the Thought of Drama Structure between Jin Shengtan''''s and Lee Yu''''s[J].Yin Shan Academic Journal,2004,17(3):28-32. |
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| Authors: | LEE Zhen-feng |
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| Abstract: | There are many differences in the drama aesthetics between Jin Shengtan's and Lee Yu's. On the drama structure, they place different emphasis on the artistic factors. Regarding characterization as the core of the drama structure, Jin Shengtan pays more attention to the character molding and the emotion exposing; while Lee Yu considers the plot as the most important factor in organizing dramas' structure, thus he holds the unusual plot in high esteem. |
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| Keywords: | Jin Shengtan Lee Yu drama structure character plot |
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