| 诗歌形式研究的古为今用——林庚先生关于古诗节奏和新诗格律的理论思考 |
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| 引用本文： | 葛晓音.诗歌形式研究的古为今用——林庚先生关于古诗节奏和新诗格律的理论思考[J].北京大学学报(哲学社会科学版),2010,47(4). |
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| 作者姓名： | 葛晓音 |
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| 作者单位： | 北京大学中文系,北京,100871 |
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| 摘 要： | 林先生思考诗歌形式的出发点始终扣住诗的根本目的及其与散文的本质区别,从诗歌语言要求飞跃性的特质着眼,指出古诗节奏和语言飞跃的自然关系,自由诗追求语言飞跃性的原理及其处理散文语言和生活语言的两难境地,有力地论证了新诗应当建立格律的理据。同时他又在借鉴古典诗歌的艺术经验和把握现代语言节奏的探索中,提出了由节奏音组和半逗律相结合组成典型诗行的理论,对于古诗体式的研究和新诗格律的建立都有重要的启示。
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| 关 键 词： | 古诗形式 新诗格律 节奏音组 半逗律 典型诗行 |
Contemporary Application of the Research Results about the Form of Poems:Lin Geng's Theoretical Thinking on the Rhythm of Classic Poems and the Metric Patterns of New Poems |
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| Ge Xiaoyin.Contemporary Application of the Research Results about the Form of Poems:Lin Geng's Theoretical Thinking on the Rhythm of Classic Poems and the Metric Patterns of New Poems[J].Journal of Peking University(Humanities and Social Sciences),2010,47(4). |
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| Authors: | Ge Xiaoyin |
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| Institution: | Ge Xiaoyin(Department of Chinese Literature and Language,Peking University,Beijing 100871,China) |
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| Abstract: | This paper explores the starting point of Lin Geng's thinking on the form of poems.Focusing on the basic purpose of poems,its intrinsic distinction with prose,and the leaping characteristics of poems,he pointed out the natural connection between the rhythm of classic poems and the leaping of language,and also the dilemma between the inner leaping characteristics of free verses and their prose-style language,which form the basis for his argument that new poems should have their metric patterns and rhythms.In... |
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| Keywords: | form of classic poems metric pattern of new poems rhythm sound group big pause typical stanza |
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