中唐乐府讽谕诗之价值评判与元白张王之优劣异同——从接受学角度对清人相关论述的一个梳理和检讨

时至清代,以白居易为代表的乐府讽谕诗受到重视,获得了持续走高的道德评价,由此反映出清代诗学思想向正统的回归及其现实干预意识的强化。而在对元白张王之优劣异同的品评上,多数评家持白优元劣、张优王劣的意见。相比之下,白优于元,不只是艺术水准上的领先,更在于道德品格上的优胜;王劣于张,固然与其诗不及张诗的深秀古质、清丽深婉、浅隽多趣有关,但也缘于清代评家对所谓浅俗的偏见。此外,对元白诗派之特点尤其是同中之异,清人也有了较前人深入的认知和把握。至于张、王二人在创作中与元白诗风的离合变异,则尚留下可进一步探索的空间。

The Values Judgment of Yuefu Allegorical Poems in the Mid-Tang Dynasty and the Merits,Defects,Similarities and Dissimilarities of the Poems by Yuan Zhen,Bai Juyi,Zhang Ji and Wang Jian

In the Qing Dynasty,Yuefu allegorical poems represented by Bai Juyi gained great attention and received high moral evaluation.Therefore,it showed that the theory on poetry in the Qing Dynasty was returning to the orthodox and strengthening the consciousness of intervention in reality.As for the evaluation of Yuan,Bai,Zhang and Wang,most critics agreed that Bai was better than Yuan,and Zhang better than Wang.In comparison,Bai was superior to Yuan not only in artistic standards,but also in morality.It is true...