| 论审美符号 |
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| 引用本文： | 吴炫. 论审美符号[J]. 广西师范学院学报（哲学社会科学版）, 2001, 22(2): 36-44 |
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| 作者姓名： | 吴炫 |
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| 作者单位： | 吴炫（华东师范大学中文系） |
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| 摘 要： | 本文从否定主义理论出发,从人类特有的批判与创造相统一的"本体性否定"活动出发,对符号与美的符号的区别,艺术符号与美的符号的区别,美的符号与自然符号的区别,以及审美符号的多样性等问题,进行了自己的阐释.本文认为卡西尔没有清晰阐明符号与美的符号的区别,苏珊@朗格没有清晰阐明艺术符号与美的符号的区别,是造成美学符号学、文艺符号学和文化符号学常常被混淆的原因.
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| 关 键 词： | 本体性否定 符号 美的符号 艺术符号 自然符号 审美符号 |
| 文章编号： | 1002-5227(2001)02-0036-09 |
| 修稿时间： | 2000-12-11 |
A Discourse on Aesthetic Symbols |
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| WU Xuan. A Discourse on Aesthetic Symbols[J]. Journal of Guangxi Teachers Education University, 2001, 22(2): 36-44 |
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| Authors: | WU Xuan |
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| Abstract: | Based on negativism, a unique explication is given on the diversification of aesthetic symbols as well as the differentiation between beauteous signs and natural ones; between artistic symbols and beauteous ones; between symbols and beauteous ones in terms of ontological negation which embodies the unity of creation and criticism. The inexplicit difference between signs and beauteous signs,between artistic symbols and beauteous ones is usually the real cause for the confusion among aesthetical symbology,artistical symbol- ogy and cultural symbology. |
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| Keywords: | sign beauteous sign artistic symbol natural sign aesthetic symbol |
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