| 内在对话性的生成——论老舍幽默小说的转型 |
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| 引用本文： | 汤景泰,翟德耀. 内在对话性的生成——论老舍幽默小说的转型[J]. 山东师范大学学报(人文社会科学版), 2006, 51(6): 79-82 |
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| 作者姓名： | 汤景泰 翟德耀 |
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| 作者单位： | 复旦大学,中文系,上海,200433;山东师范大学,学报编辑部,山东,济南,250014 |
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| 摘 要： | 老舍的幽默风格处于不断发展演化的过程中。在他的初期创作中,悲剧性人物与喜剧性人物界限分明,分工明确。从《离婚》开始,其小说在时势变迁的背景之上通过两种处世方式、两种命运模式的描绘,揭示了社会与个体之间以及他们自身的种种矛盾的纠结。由此使得小说中那类命运步步下滑的人生类型中内蕴着深沉的时代悲剧性,同时在此基础上又逐渐生发出喜剧性;而那些喜剧性的人生类型因这种深沉的时代悲剧意识观照也透露出普泛的悲剧性。但在这种普遍的悲剧性中,老舍又在出走或坚守等生命姿态中带着超然的笑声,其幽默艺术因之逐渐形成内在对话性。
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| 关 键 词： | 老舍小说 幽默 转型 内在对话性 |
| 文章编号： | 1001-5973(2006)06-0079-04 |
| 修稿时间： | 2005-12-30 |
The Genesis of Inherent Dialogism: On the Transformation of Lao She's Humorous Style |
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| Tang Jingtai,Zhai Deyao. The Genesis of Inherent Dialogism: On the Transformation of Lao She's Humorous Style[J]. Journal of Shandong Teachers' University(Social Science Edition), 2006, 51(6): 79-82 |
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| Authors: | Tang Jingtai Zhai Deyao |
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| Abstract: | Lao She had always been trying to transform his humorous style during the course of his writing.In his early works,the differences between the tragic characters and the comic ones are clearly demarcated.But he successfully transformed his humorous style in 1933 by writing "Divorce".In this famous fiction and the following works,Lao She discloses not only the contravention between society and individuals and the discords which lie both in the interior of the society and those individuals themselves through depicting two kinds of life styles and fortune modes on the background of transitional epoch.Consequently,the characters at this stage whose fortunes are descending are not only tragic but comedic,and those characters that are full of jokes look more and more tragic.Therefore,Lao she's humorous style come into being inherent dialogism. |
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| Keywords: | Lao She's fictions humor transformation inherent dialogism |
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