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论1930年代京派与海派作家的文化心态
引用本文:黄德志. 论1930年代京派与海派作家的文化心态[J]. 南京社会科学, 2010, 0(3)
作者姓名:黄德志
作者单位:徐州师范大学文学院,徐州,221116
基金项目:江苏省哲学社会科学基金项目“20世纪中国都市小说发展史”(07WXC013)的阶段性研究成果
摘    要:北京与上海不同的文化环境形成了1930年代京派作家与海派作家文化心态的巨大差异性。京派作家更多地倾向于中国传统文化,海派作家较多地认同于西方现代文化。然而,在30年代特殊的政治文化语境中,京派与海派作家或者因为对政治的失望而远离政治,或者因为对政治的恐惧而放逐政治,他们最终选择了不合时宜的自由主义,体现出自由主义文化心态的趋同性。

关 键 词:京派  海派  文化心态  

On the Cultural Mentality of Peking-School and Shanghai-School Writers in the 1930s
Huang Dezhi. On the Cultural Mentality of Peking-School and Shanghai-School Writers in the 1930s[J]. Social Sciences in Nanjing, 2010, 0(3)
Authors:Huang Dezhi
Affiliation:Huang Dezhi
Abstract:Different cultural environments resulted in the vast gap between the writers of the Peking-School and Shanghai-School.Peking-School writers were more inclined to follow the traditional Chinese culture,while writers of Shanghai-School were more adapted to the western culture.However,despite the difference,they all,obliged by the particular political environment of the time,chose liberalism,staying far away from or exiling themselves from the politics.
Keywords:the Peking-School  the Shanghai-School  cultural mentality  
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