闺塾师的创意——《笔生花》的隐秘诉求及其在女作家弹词链条中的地位

从陈端生的《再生缘》到侯芝的《金闺杰》、《再造天》，再到邱心如的《笔生花》，清代女作家弹词形成了一个阅读、批评与创作相交织的链条，后一部作品是对前一部作品的回应和再创造。《再生缘》的“颠倒阴阳”引起了包括侯芝在内的闺秀才女的非议，而邱心如在继承《再生缘》“为女子张目”主题的前提下，对故事的框架和具体细节都作了一些巧妙的设置，既隐秘地表达了她的诉求，又使文中的叛逆性始终包含在温情的道德氛围中，体现出她作为闰塾师的创意。

The Creation of the Tutors of the Old-Style Private Shools for Girls: The implied Appeal Hidden in The Blossom Pen and Its Place in the Chain of the Fiddle Ballads in Chinese Southern Dialects by Women Writers

The fiddle ballads in Chinese Southern dialects(Tanci) by women writers during the Qing Dynasty are interwoven into a chain of reading,criticism and creation from Chen Duansheng's The Reincarnated Marriage to Hou Zhi's The Talent in The Boudoir and The Recreated Heaven and,again to Qiu Xinru's The Blossom Pen.That is,the latter one is always its response and rewritten to the former one,and so on.Because of Chen Duansheng's unique style of reverse Yin and Yang,so many female writers can't help correcting it ...