| Abstract: | This paper examines configurations of power, authority and culture in Portugal in the twentieth century, and intellectual practices and spaces related to those configurations and in opposition to them. Portuguese national history and essentialized versions of Portugueseness are analysed in the work of such distinguished and influential intellectuals as António Sérgio, António José Saraiva and Eduardo Lourenço, in articulation with the role of high culture in the process of nation building throughout the nineteenth and twentieth centuries. One particular structure of attitude and reference, constructed in the latter half of the nineteenth century, is foregrounded with reference to the History of Portugal by Oliveira Martins, in the context of the persistent contradictions and conflicts between progressive and conservative, modernizing and traditional, ‘historical’, formations and projects. In such a context, moments of oppositional, alternative and independent projects are worth looking into. Two decisive moments of social change in the second half of the twentieth century were the 1940s, and the late 1960s and early 1970s. The paper pays attention to the politics of culture of Neo-Realismo in the 1940s and its consequences for high and popular culture over the following decades, especially in the years leading to the democratic revolution of 25 April 1974. A brief analysis of the 1990s is articulated to the study of the change-producing projects in the 1940s and 1960s as part of the cultural studies practice the paper argues for. |
