| 对称——东山魁夷绘画生涯中重要的美学语言 |
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| 引用本文： | 臧新明.对称——东山魁夷绘画生涯中重要的美学语言[J].浙江师范大学学报(社会科学版),2005,30(4):25-29. |
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| 作者姓名： | 臧新明 |
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| 作者单位： | 广岛大学,社会科学研究科,日本,广岛,729-2603 |
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| 摘 要： | 以东山魁夷的作品为立足点,从理论的角度分析、着手,从对称美是日本画家东山魁夷之画面构成的主要表现手段为基础论据,论证了对称是东山魁夷绘画生涯中重要的美学语言之理论的成立.并点到为止地揭示了对称也是东山魁夷绘画成功的一个"秘密".
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| 关 键 词： | 对称 美学语言 镜式对称 抽象对称 心象对称 |
| 文章编号： | 1001-5035(2005)04-0025-05 |
| 修稿时间： | 2005年3月4日 |
Symmetry: Important Esthetic Language of Kaii Higashiyama as a Painter |
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| ZANG Xin-ming.Symmetry: Important Esthetic Language of Kaii Higashiyama as a Painter[J].Journal of Zhejiang Normal University:Social Sciences,2005,30(4):25-29. |
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| Authors: | ZANG Xin-ming |
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| Abstract: | Based on a theoretical analysis of the works of Kaii Higashiyama, a Japanese painter, this paper suggests that symmetry, as a winning characteristic, is the main skill of expression in the framing and formation of his drawings, which lends itself to the viewpoint that symmetry is the esthetic language in the artistic career of Kaii Higashiyama. |
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| Keywords: | Symmetry Esthetic language Mirroring symmetry Abstract symmetry Mental symmetry |
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