| 生命之“象”——论“象”的基本内涵和文化理念 |
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| 引用本文： | 张映辉.生命之“象”——论“象”的基本内涵和文化理念[J].北京理工大学学报(社会科学版),2005,7(1):12-14. |
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| 作者姓名： | 张映辉 |
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| 作者单位： | 1.北京理工大学设计艺术学院, 北京 100081 |
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| 摘 要： | “象”是中国绘画最为重要的范畴之一。文章通过追溯中国传统绘画的发展轨迹,用大量文献剖析了“象”的哲学和文化理念,力求把握中国绘画的本质特征,指导艺术实践,借故开今。
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| 关 键 词： | 象 传统绘画 文化理念 绘画境界 |
| 文章编号： | 1009-3370(2005)01-0012-03 |
| 收稿时间： | 2004/12/9 0:00:00 |
| 修稿时间： | 2004年12月9日 |
On the Cultural Connotation of Chinese Paintings |
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| ZHANG Ying-hui.On the Cultural Connotation of Chinese Paintings[J].Journal of Beijing Institute of Technology(Social Sciences Edition),2005,7(1):12-14. |
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| Authors: | ZHANG Ying-hui |
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| Institution: | 1.School of Artistic Designing Beijing Institute of Technology, Beijing 100081 |
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| Abstract: | Xiang" is one of the most important categories in Chinese paintings. This paper starts with tracing the history of traditional Chinese painting and analyzing a large amount of former literature, and the clarifies the philosophical and cultural connotation of the formation of "Xiang". On the basis of the analysis, this paper aims to understand the essence of Chinese painting and provide a guidance to the future artistic creation. |
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| Keywords: | Xiang traditional painting cultural connotation the moral state of painting |
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