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论文化批评对文学批评的突破及其困境
引用本文:涂昊.论文化批评对文学批评的突破及其困境[J].暨南学报,2004,26(1):83-87.
作者姓名:涂昊
作者单位:暨南大学文学院 广东广州510632
摘    要:20世纪 90年代以来 ,中国文化批评突破传统文学批评的边界 ,拓展批评空间 ,深化对人的理解 ,推动批评思维的转换 ,提供了一种全新的视角和思考模式 ,这是根源于现实和学术的需要而产生的自觉的生长与更新 ,推动文学批评进入到一个新的阶段。但在喧哗的文化批评背后 ,却是学习借鉴多 ,转化融合少 ;知识描述多 ,诗意挖掘少 ;情绪有余 ,批判性不足 ;宏观理论多 ,微观个案少。由此文化批评要真正成为一种属于文学的文化批评必须实现诗学转换 ,成为一种文化诗学。

关 键 词:文化批评  文学批评  突破  困境
文章编号:1000-5072(2004)01-0083-05
修稿时间:2003年11月20

On the Breakthrough of Cultural Criticism on Literary Criticism and its Predicament
TU Hao College of Liberal Arts,Jinan University Guangzhou ,China.On the Breakthrough of Cultural Criticism on Literary Criticism and its Predicament[J].Journal of Jinan University,2004,26(1):83-87.
Authors:TU Hao College of Liberal Arts  Jinan University Guangzhou  China
Institution:TU Hao College of Liberal Arts,Jinan University Guangzhou 510632,China
Abstract:Since 1990s,the Chinese cultural criticism has broken through the boundary set by the traditional literary criticism and provided a completely new perspective and a mode of thinking, which have originated from the growth and renewal needed by reality and academy and have carried literary criticism to a new stage. However, cultural criticism has its rather limited impact on literary criticism because it has covered up a great deal of problems, called in questions from the critic and reveived little attention from the witer.
Keywords:cultural criticism  literary criticism  breakthrough  predicament  
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