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唐传奇叙事视角艺术及其叙事文体的独立
引用本文:刘天振.唐传奇叙事视角艺术及其叙事文体的独立[J].北方论丛,2001(2):90-94.
作者姓名:刘天振
作者单位:南京大学,中文系,江苏,南京,210093
摘    要:唐传奇叙事文体的独立与其极富灵性的视角操作艺术存在密切关系。传奇作者们通过采取全知叙事框架下的局部限知叙述、第三人称和第一人称限知叙述、以及多视角的交叉与转换等叙事谋略,使传奇文本在叙事话语、叙事结构及叙事的时间、节奏等方面都超越了母体史传,发育成独具小说审美品格的叙事文体。唐传奇叙事艺术成就的获得,既吸纳了中国传统叙事艺术如史传、六朝志怪的营养,也借鉴了国外叙事艺术,如印度的佛典文学和民间文学的经验。

关 键 词:唐人传奇  叙事角度  文体独立
文章编号:1000-3541(2001)02-0090-05
修稿时间:2000年3月22日

The Art of Narrative Viewpoint of Tang's Legend and the Independence of Its Style
LIU Tian-zhen.The Art of Narrative Viewpoint of Tang''''s Legend and the Independence of Its Style[J].The Northern Forum,2001(2):90-94.
Authors:LIU Tian-zhen
Abstract:The independence of the narrative style of Tang's legend has much to do with its extremely flexible are of viewpoint.By adopting new narrative techniques including limited narration under omniscient frame,the limited narration of the first person and the third person,intersection and shift of different viewpoints,the authors make the legend's text transcend its origin historical biography and grew up to the narrative style with the aesthetic characteristic of fiction in many aspects such as narrative discourse, narrative structure,narrative time and rhythm,and so on.The achievements of Tang's legend can be attributed not only to its absorbing Chinese traditional narrative experience, but also to its adopting foreign narrative art, such as Buddhism literature and folk literature of India.
Keywords:Tang's legend  narrative viewpoint  independence of style
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