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论楼兰艺术史研究中民族与图像问题
引用本文:李青. 论楼兰艺术史研究中民族与图像问题[J]. 西安电子科技大学学报(社会科学版), 2003, 13(3): 72-76
作者姓名:李青
作者单位:西北大学,西北历史研究所,陕西,西安,710069
摘    要:古代楼兰艺术在中国艺术发展进程中以及中西艺术交流史中,都占有极其重要的位置。古代埃及艺术、希腊罗马艺术、印度艺术、波斯艺术和中原艺术都在楼兰艺术中留下了鲜明的烙印。这种荟萃东西方艺术为一体的艺术现象,在中外艺术史中都是极为罕见的。古楼兰的民族文化背景及艺术特征因素,决定了楼兰艺术史研究与民族学和图像学有着密切的学科联系,民族学和图像学是解读楼兰艺术本质的科学方法论。

关 键 词:楼兰  艺术  民族  图像
文章编号:1008-472X(2003)03-0072-05
修稿时间:2003-05-29

On The Nationalities And Image In Loulan Art History
LI Qing. On The Nationalities And Image In Loulan Art History[J]. Journal of Xidian University (Social Sciences Edition), 2003, 13(3): 72-76
Authors:LI Qing
Abstract:The ancient Loulan Art has its very important position in the Chinese art progress and art exchange history between China and the western world. Most of ancient arts in the world, such as Egyptian Art, Greece-Roman Art, Indian Art, Persia Art and Chinese Art, had influence on the Loulan Art. It is seldom seen in the history of the world that art progress for the Loulan Art to mix the east and west art together.The background of its national culture and artistic characteristic elements in the Loulan Art reveal that the Loulan art history study has intently relations with ethnology and iconology, which are the scientific methods to explore the nature of Loulan Art.
Keywords:Loulan  Art  nationality  image
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