| 论汉魏六朝音乐赋的新变 |
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| 引用本文： | 孙鹏.论汉魏六朝音乐赋的新变[J].辽东学院学报(社会科学版),2012(5):72-74. |
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| 作者姓名： | 孙鹏 |
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| 作者单位： | 南京师范大学文学院;南京工业职业技术学院 |
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| 基金项目： | 江苏省2010年度研究生科研创新计划项目(CX10B_065R) |
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| 摘 要： | 汉魏六朝音乐赋中乐器赋占绝大多数,始于两汉,盛于两晋,在发展过程中题材不断拓展,呈现出骚体趋于俳体,骈偶化增强的趋势。其发展兴盛、题材拓展、体制变化的过程与当时的社会生活内容的拓展、人们的喜好和文学体制的变化息息相关,成为了解和考证当时社会生活的一面镜子。
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| 关 键 词： | 汉魏六朝 音乐赋 发展流变 |
Unique Features of Music Fu in Han,Wei and the Six Dynasties |
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| SUN Peng.Unique Features of Music Fu in Han,Wei and the Six Dynasties[J].Journal of Liaodong University :Social Sciences,2012(5):72-74. |
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| Authors: | SUN Peng |
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| Institution: | SUN Peng1,2(1.School of Literature,Nanjing Normal University,Nanjing 210097,China; 2.Nanjing Institute of Industry Technology,Nanjing 210046,China) |
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| Abstract: | Music Fu constitutes the majority of Fu works in Han,Wei and the Six Dynasties.It began in the two Han Dynasties and flourished in the two Jin Dynasties.Its themes kept extending,tending to display a Paiti and Pianou style.All these relate closely to the social development,people' s fondness and literary system change,thereby they are meaningful in understanding and investigating the social life at those times. |
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| Keywords: | Han Wei and the Six Dynasties music Fu development and deformation |
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