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对苏轼提出“文人画”思想的心态探索
引用本文:胡军.对苏轼提出“文人画”思想的心态探索[J].甘肃联合大学学报(社会科学版),2011,27(4):44-48.
作者姓名:胡军
作者单位:嘉应学院美术学院,广东梅州,514015
摘    要:苏轼"文人画"的理论,历来有许多拥护者和批判者。透析当时的政治文化背景,我们可以发现,苏轼所为的真正意图是为了扭转当时的时代风气。反对一统,提倡创新,与他当时"反王(王安石)风""辟柳(柳永)词",并借此来匡挽士风的心态是一致的。当时文人们接受这一观念,无论从外在时代精神来说,还是从文人内在心理来说,都是与当时的政治改革引起的"文"的危机进而自觉进行着"文"的改革有关,当然与苏轼个人魅力也有关系。

关 键 词:文人画  苏轼  创作心态

Searching after Su Shi's Purpose of “Literator Painting” Theory
HU Jun.Searching after Su Shi's Purpose of “Literator Painting” Theory[J].Journal of Gansu Lianhe University:Social Sciences,2011,27(4):44-48.
Authors:HU Jun
Institution:HU Jun(School of Arts,Jiaying University,Meizhou 514015,China)
Abstract:Su Shi’s Literator Painting Theory always has many advocates and animadverts.Dialysing the politics and culture at that time,we can find that Su Shi’s purpose is to change the times echos.He is against unite and advocates innovation,and this is coherent with his "opposing Wang and Liu" opinions.At that time,literators accented this idea,the reason bears on the writing innovation,and bears on Su Shi’s individual fascination.
Keywords:literator painting  Su Shi  creating purpose
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