章法结构及其哲学义涵

章法所探讨的是,篇章之条理,亦即连句成节(句群)、连节成段、连段成篇的逻辑组织.这种逻辑组织或条理,对应于宇宙人生规律,完全根源于人心之理,是人人与生俱有的.所以大多数的人,包括作者本身,对它的存在虽大都不自觉,却会自然地反映在他们的思考或作品之中.这种反映出来的逻辑组织或条理,由于对应于宇宙人生规律,就必然与探讨宇宙人生规律的哲学与科学有密切之关系.本文即择要就章法之类型、规律与转化(包括移位与转位)与"多、二、一(0)"的结构等,从中国哲学的逻辑结构中,以<周易>与<老子>两种典籍为主,一一作其哲学义涵之考辨,为章法之所以是"客观的存在",而定位为篇章之逻辑条理或结构,提出有力的证明与依据.

Structure of the Organization of Writing And Its Philosophical Connotation

The organization of writing is the way to present an article orderly. It is the logical structure to combine sentences into paragraph (sentence group) and then into a piece of writing. Such a logical organization corresponds to the universal regularity firmly established by human perception. That is, human beings are inherent to be logical thanks to our perception of regularity. Most of us, especially the literary men, will reflect the way of logical organization to the way of thinking and apply it to the works of art by nature. This connotation is closely related to the research of philosophy and science since the two both deal with the regularity of universe. In this article, I discuss the various types of the organization of writing as well as its regularity and conversion (including shift and transfer). I also introduce the structure of "multiple, binary, and unitary (zero)" in the organization of writing. Further, I take the ancient classics Book of Changes and Lao Tzu as examples to analyze the logical structure in Chinese philosophies, which supports my discourse that the organization of writing is a matter of "objective existence".