谢榛：复古在承前启后之间

在明代中期以“格调”为核心的诗歌复古思潮中,谢榛扬弃地继承了前人诗论。在回归古典的具体途径上,谢榛强调“兴”对于诗歌的积极作用,提供了以“悟”为核心的诗歌借鉴理论和创作主张,力图超越古典,开启后世,从而逗露出明代文坛审美风尚转型的契机。如果我们能将之放在整个诗歌创作和诗学理论的历史中,则能更加清楚谢榛诗论的意义所在。

XIE ZHEN:RETURNING TO THE STYLE OF POEM OF TANG DYNASTY BETWEEN HIS PREDECESSORS AND SUCCESSORS

In the movement of returning to the ancient pomes in the midst of Ming Dynasty,Xie Zhen as a theorist of poem emphases that good poems come naturally from the deep and true feelings of poets,and to learn the ancients is to learn their skills of writing and attitudes in poems. His opinions of returning to the ancients are so inspiring that his theories of pomes can be considered as a transitional bridge between his processors and successors.