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西方现代抽象艺术的形成 --从毕加索到康定斯基
引用本文:王佳.西方现代抽象艺术的形成 --从毕加索到康定斯基[J].渤海大学学报(哲学社会科学版),2005,27(1):48-51.
作者姓名:王佳
作者单位:鲁迅美术学院,教育系,辽宁,沈阳,110004
摘    要:从对毕加索和康定斯基产生过影响的艺术形式和美学理论入手,将毕加索和康定斯基艺术生涯作为一个时代标尺来衡量抽象艺术产生初期这一阶段性面貌。同时通过对美学思想即观念上的变化而产生的代表作品的深入挖掘与解读,从艺术本体出发挖掘其个人艺术风格的转变对于抽象艺术形式整体意义及对西方绘画的影响作用。在进行了详尽的分析后,将毕加索和康定斯基对于绘画转型的意义以及抽象绘画形式在整个西方美术发展大的历史时空中的地位给予了相对客观的评价。

关 键 词:抽象形式  视觉真实  抽象绘画
文章编号:1672-8254(2005)01-0048-04
修稿时间:2004年9月12日

Study of form of westen modern abstract arts--from Picass to Kandinsky
WANG Jia.Study of form of westen modern abstract arts--from Picass to Kandinsky[J].Journal of Bohai University:Philosophy and Social Science Edition,2005,27(1):48-51.
Authors:WANG Jia
Abstract:After collectin and analyzing results of studies about abstract art, we found that there are few studies with regard to the origin of schools during early stage of abstract painting or influence between them. Facing such a reality,this paper focuses on Picasso and Kandinsky from the point of art pattern and aesthetics theory influenced by them,and evaluate the age when abstract painting was in its initial stage with their art career as age's staff. Meanwhile the article also deeply excavates and evaluates their representative works to elucidate the effects of transiting of their art pattern on both abstract and western painting. After detailed analysis and study we objectively evaluate contributions Picasso and Kandinsky made to the transition of painting and their roles during development of western art.
Keywords:abstract pattern  visual reality  abstract painting  
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