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试论穆旦20世纪40年代诗歌中的现代自我形象
引用本文:邹英,李超. 试论穆旦20世纪40年代诗歌中的现代自我形象[J]. 渝西学院学报(社会科学版), 2006, 5(5): 61-64
作者姓名:邹英  李超
作者单位:福建师范大学文学院 福建福州350007
摘    要:作为九叶派最杰出的诗人穆旦,以其自身独特的生死体验并结合他所接受到的西方现代主义诗歌资源,在他20世纪40年代的诗歌创作中生成了最具反叛性和异质性的诗歌特质。他对战争背景下个体存在性的思索、对现代个人的自我异化与分裂的拷问,成为了他诗歌创作的主要构成部分,塑造出中国现代文学中独具现代性的自我形象,同时也为中国新诗的发展注入新的现代性质素。

关 键 词:穆旦  诗歌  现代主义  自我形象
文章编号:1671-7546(2006)05-0061-04
修稿时间:2006-06-05

The Modern Self-image in the 1940s'''' Poetry of Mudan
ZOU Ying,LI Chao. The Modern Self-image in the 1940s'''' Poetry of Mudan[J]. , 2006, 5(5): 61-64
Authors:ZOU Ying  LI Chao
Abstract:Mudan,the most outstanding poet of Nine Leaves,through combining his special(life-and-death experience and the poetry resources of western modernism he received,creates his own unusual poetical qualities in his 1940s' works,which seems to further break away from the tradition.His reflection on the individual existence in the war background and cross-examination on the self-alienation and psychological disintegration of the modern individuals constitute the most part of his poetic creation,shaping the self-image with the characteristics of modernity in Chinese contemporary literature and introducing the quality of modernity into the development of Chinese new poetry in the) 1940s.
Keywords:Mudan  poetry  modernism  self-image  
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