《尘归尘》:暴力的戏剧呈现与观众多重意象的体验——主题·叙事·戏剧性

在品特后期代表剧作《尘归尘》中，暴力主题的模糊性与复杂性达到前所未有的高度。品特一方面通过象征性的戏剧对白叠加了宏观与微观的暴力指涉，另一方面通过戏剧叙事进程中的多重叙事视角、矛盾话语与剧情前后关联性增加了暴力的模糊性。文章结合叙事学家詹姆斯·费伦的叙事进程与叙事判断的理论以及沃尔夫冈·伊瑟尔的读者反应理论，分析《尘归尘》中暴力戏剧呈现的模糊性与复杂性带给观众的叙事判断与体验，从而揭示《尘归尘》中的戏剧性魅力。

Ashes to Ashes: Dramatic Violence and Audience's Reaction

In Pinter＇s late representative play Ashes to Ashes, the theme of violence has never been so ambiguous and complicated so far. Pinter has superposed his reference of violence on both the macroscopic and microscopic levels and added to ambiguity through the use of multi narrative perspectives, contradictory discourse and referential plots throughout the play. This article applies James Phelan＇s narrative progression and narrative judgment theory as well as Wolfgang Iser＇s readers＇ response theory to the analysis of Ashes to Ashes＇ dramatic presentation of violence, analyzing the audience＇s narrative judgment as well as their response to the theatrical presentation of ambiguity and complexity. This article tries to reveal Ashes to Ashes＇ dramatic charm.