| 论嵇康的著述指趣 |
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| 引用本文： | 崔富章. 论嵇康的著述指趣[J]. 浙江大学学报(人文社会科学版), 2000, 30(1): 44-51 |
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| 作者姓名： | 崔富章 |
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| 作者单位： | 浙江大学古籍研究所!浙江杭州310028 |
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| 摘 要： | 嵇康传世作品，有诗歌60首，韵文3篇，论文9篇，书信2篇，家诫1篇。其中，《养生论》(《答难养生论》)、《声无哀乐论》是名副其实的代表作。《养生论》主张养形，更重养神，编织出一幅精神“桃花园”；《声无哀乐论》探索音乐理论，闪烁着美学的光辉。两论的核心是“自然之和”，即大和，天和，这是嵇康 养生理论和美学思想的重要特征，也是他的名理文章乃至全部著述的精髓所在。魏晋易代之际，盛产两面派，形成严重的道德虚伪现象。名士“清谈”，意在言外，读者但“得意忘言”可也。
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| 关 键 词： | 嵇康 著述指趣 养生论 自然之和 |
On the Motifs of Ji Kang's Works |
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| CUI Fuzhang. On the Motifs of Ji Kang's Works[J]. Journal of Zhejiang University(Humanities and Social Sciences), 2000, 30(1): 44-51 |
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| Authors: | CUI Fuzhang |
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| Abstract: | Ji Kang left behind only 60 poems, 3 verses, 9 theses, 2 letters and 1 family memo. Of all his works, the theses on health and music are the most important, picturing a spiritual utopia and a beautiful musical world. His heath theory and aesthetic ideals center on natural harmony, representing a sharp contrast against the moral hypocrisy of his time. |
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| Keywords: | Ji Kang's works heath natural harmony |
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