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同构为美——中国古代美学关于美的心理本质的界说
引用本文:祁志祥.同构为美——中国古代美学关于美的心理本质的界说[J].上海大学学报(社会科学版),2002,9(6):51-57.
作者姓名:祁志祥
作者单位:上海大学 文学院,上海 200436
摘    要:中国古代美学资料说:“同声相应,同气相求。”“物固以类相召。”人性“爱同憎异”,“会己则嗟讽,异我则沮弃。”这些是异质同构为美思想的明确注脚;也是中国古代关于美的心理本质的固有思想。它与西方美学异质同构为美的思想异曲同工。究其成因,渊源于中国古代“天人合一”的文化模式。

关 键 词:声比则应  类固相召  天人合一
文章编号:1007-6522(2002)06-0051-07
修稿时间:2002年3月20日

The Nature of Aesthetic Psychology in Classical Chinese Aesthetics
QI Zhi - xiang.The Nature of Aesthetic Psychology in Classical Chinese Aesthetics[J].Journal of Shanghai University(Social Science Edition),2002,9(6):51-57.
Authors:QI Zhi - xiang
Abstract:According to the reference materials in classical Chinese aesthetics, some lines such as "The same sounds echo each other" , " Birds of a feather flock together" are the explicit footnotes for the aesthetic concept , a concept deeply rooted in the nature of aesthetic psychology by ancient Chinese which is quite similar to the idea by western anesthetists. The origin for such an aesthetic concept can be traced back to the cultural mode in which the ancient Chinese advocated the philosophical principle "heaven and man are combined into one".
Keywords:The same sounds echo each other"  "Birds of a feather flock together"  "Heaven and man are combined into one  
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